I surprised my girlfriend with a Christmassy trip to Ashdown Forest for a couple of days, living in a Yurt and exploring the woodland around. Here are some photos form the trip
I went on the road for a couple of weeks with Tall Ships & Dad Rocks! in a nine-seater van named Melanie. I filmed a few bits & pieces and edited them together. This is the result.
The image I made for the 100 Houses exhibition was created at the same time as a limited edition of 50 two-colour silkscreens for my own sales purposes. They are now available to buy from here.
I recently took part in an exhibition raising money for the charity Shelter. The theme was homes, so I went along an animal habitat route. My piece has already been bought but you can still buy other bits online here.
I created this image for The Manual. Each image in the book is made with a single yellow plate and a single black plate, so the preparation for the final could only be black and yellow at different gradients. It was a fun way to work. My piece accompanied an article about the way that web-based typographers have to experiment with 'phrasing' much in the same way actors do when rehearsing lines.
In the process of creating a final piece for my new book with Templar, I accidentally hid an integral layer in Photoshop. This was what my screen showed me. I really liked it, so I thought, why not share it. Enjoy ...
This piece was an editorial for Smithsonian Magazine, about the Pilgrims that escaped from a hostile England on the Mayflower and landed at Plymouth Rock. They were then an integral part of the creation of the U.S.
It's Nice Thatfeatured my work on their blog the other day, along with some very nice words: Coming across Owen Davey’s portfolio again was like running into an old friend on the street that you’ve absent-mindedly lost touch with – simultaneously really enjoyable and mildly guilt-ridden. You see we featured some of Owen’s work on the site way back when royal wedding hysteria was in full swing. He’d been working at Orange, had illustrated some charming plates and we vowed to ourselves that we’d give his work more of the space it deserved. But then we just lost touch (figuratively speaking). Needless to say Owen’s illustrations are pretty darn excellent. He’s mastered a folk-influenced style of image-making that manages to appeal equally to adults and children without being saccharine – his approachable characters look spot on whether they’re adorning the pages of a wordless picture book or the opinion pages of The New York Times. So get yourself acquainted with Owen’s work as we’re pretty confident you’ll enjoy it as much as we do, albeit without those latent feelings of guilt.
As an attempt to practice and hone my animation skills, I am creating an indefinite series of 'Passing By' animations, exploring small moments of interest & beauty in life
Just got bored waiting for some client feedback, so had a crack at making some flags of the countries I've visited in my lifetime. I've excluded countries I have driven through. It's quite a small list at the moment but I plan to constantly add to it, as I travel more and more of this wonderful Earth.